This post is part of our symposium on Mutant Neoliberalism. You can find the full symposium here.
Atossa Araxia Abrahamian –
Ken Loach’s 2016 film I Am Daniel Blake (2016) depicts post-crash austerity in all of its bleak barbarity. The plot revolves around the film’s protagonist, a middle-aged carpenter, who attempts to navigate the British welfare system after a heart attack makes it hard for him to work. The authorities don’t seem to agree with Blake’s cardiologist, who deems him unfit to work, so they send him down a rabbit hole of denied unemployment claims, rejected appeals, idiotic make-work and financial destitution. The message the system sends to our unlucky hero is that he is not worthy: of the state’s resources, of an employer’s goodwill, of anyone’s sympathy, of his own basic humanity. On Michel Feher’s assessment, we might add another shortcoming: he isn’t creditworthy, either.
There are thousands, if not millions, of Daniel Blakes struggling to get by in the world, many of whom have even less going for them than this fictional white man living in Newcastle. In his contribution to Manfredi and Callison’s Mutant Neoliberalism, Feher views these individual lives as the final domino in a decades-long cascade of policy decisions that made creditworthiness a prerequisite for getting by in the world—whether one is an individual, a company, or a country.